I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
BERKELEY BREATHEDI don’t get fan mail. It disappeared with the digital revolution.
More Berkeley Breathed Quotes
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I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.
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I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.
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Some of us find our lives abridged even before the paperback comes out.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
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Irony can elude the genius among us, sometimes.
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I’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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I knew ‘Mars Needs Moms! ‘ would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
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My kids hear me behind my door, giggling like an idiot, and they roll their eyes at the blatant indignity of it all.
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It’s never too late to have a happy childhood.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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Harry Potter’ shouldn’t be children’s first experience with suspense and plot turns.
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he’s a professional whiner in the newspaper.
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Dear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
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I was never asked to join the Editorial Cartoonists Of America. No fraternity would have me in college, either. I think they know something.
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The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I’d wanted to do.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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He comic page is dying; I didn’t want to go with it.
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Steve Dallas…a frat-boy lawyer who I knew in school. He’s never written me. I suspect he was shot by an annoyed girlfriend, which has saved me many legal fees.
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The universe throws us some obvious little pitches sometimes, and we need to be awake enough not to let them slip by.
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
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If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
BERKELEY BREATHED