I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
BERKELEY BREATHEDHe comic page is dying; I didn’t want to go with it.
More Berkeley Breathed Quotes
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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I don’t get fan mail. It disappeared with the digital revolution.
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Irony can elude the genius among us, sometimes.
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he’s a professional whiner in the newspaper.
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I’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
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I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
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I was never asked to join the Editorial Cartoonists Of America. No fraternity would have me in college, either. I think they know something.
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I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
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He comic page is dying; I didn’t want to go with it.
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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Some of us find our lives abridged even before the paperback comes out.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
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I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.
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Harry Potter’ shouldn’t be children’s first experience with suspense and plot turns.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I’d wanted to do.
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I started as a news photographer at the University Of Texas’ Daily Texan.
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A mind is a terrible thing. All this evolution nonsense is making me feel like a complete APE!
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I knew ‘Mars Needs Moms! ‘ would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
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And just as it is with all proper grannies, she ordered me into my pink bunny jammies.
BERKELEY BREATHED