My kids hear me behind my door, giggling like an idiot, and they roll their eyes at the blatant indignity of it all.
BERKELEY BREATHEDA mind is a terrible thing. All this evolution nonsense is making me feel like a complete APE!
More Berkeley Breathed Quotes
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I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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It’s never too late to have a happy childhood.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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Some of us find our lives abridged even before the paperback comes out.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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A turkey which was no doubt a lively, intelligent bird… a social being… capable of actual affection… nuzzling its young with almost human- like compassion. Anyway, it’s dead and we’re gonna eat it. Please give our respects to its family.
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he’s a professional whiner in the newspaper.
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Steve Dallas…a frat-boy lawyer who I knew in school. He’s never written me. I suspect he was shot by an annoyed girlfriend, which has saved me many legal fees.
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The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I’d wanted to do.
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A mind is a terrible thing. All this evolution nonsense is making me feel like a complete APE!
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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I’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
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I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
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I started as a news photographer at the University Of Texas’ Daily Texan.
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If I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
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I don’t get fan mail. It disappeared with the digital revolution.
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And just as it is with all proper grannies, she ordered me into my pink bunny jammies.
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I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.
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He comic page is dying; I didn’t want to go with it.
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Dear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
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Harry Potter’ shouldn’t be children’s first experience with suspense and plot turns.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
BERKELEY BREATHED