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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.

Berkeley Breathed

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I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.

BERKELEY BREATHED

I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
BERKELEY BREATHED

Issues
If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
BERKELEY BREATHED

Dodging Fashioned Libertarian Many Subject
It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.

BERKELEY BREATHED

It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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Challenges Digital
It’s not terribly dignified to have anyone seeing one laugh at one’s own material.
BERKELEY BREATHED

Laughing Materials Seeing
I knew ‘Mars Needs Moms! ‘ would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
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Daughter Mom
He comic page is dying; I didn’t want to go with it.
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Dying Pages
The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.

BERKELEY BREATHED

The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
BERKELEY BREATHED
Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
BERKELEY BREATHED
It’s never too late to have a happy childhood.

BERKELEY BREATHED

It’s never too late to have a happy childhood.
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Happy
Berkeley Breathed
BERKELEY BREATHED

Abstraction Wanted
I don’t get fan mail. It disappeared with the digital revolution.
BERKELEY BREATHED

Digital Revolution Mail
I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.

BERKELEY BREATHED

I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.
BERKELEY BREATHED
I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.

BERKELEY BREATHED

I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
BERKELEY BREATHED
I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.
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Fascination States
The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.

BERKELEY BREATHED

The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
BERKELEY BREATHED

Living Material
I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.

BERKELEY BREATHED

I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.
BERKELEY BREATHED

Years

Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.

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