It is perhaps sad books that best console us when we are sad.
ALAIN DE BOTTONThe mind does most of its best thinking when we aren’t there. The answers are there in the morning.
More Alain de Botton Quotes
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Only as we mature does affection begin to depend on achievement.
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Not being understood may be taken as a sign that there is much in one to understand.
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Bitterness: anger that forgot where it came from.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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Because it’s bad enough not getting what you want, but it’s even worse to have an idea of what it is you want and find out at the end of the journey that it isn’t, in fact, what you wanted all along.
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Our minds are susceptible to the influence of external voices telling us what we require to be satisfied, voices that may drown out the faint sounds emitted by our souls and distract us from the careful, arduous task of accurately naming our priorities.
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In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
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I feel that the great challenge of our time is the communication of ideas.
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Socrates, on being insulted in the marketplace, asked by a passerby, “Don’t you worry about being called names?” retorted, “Why? Do you think I should resent it if an ass had kicked me?
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
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Paying tax should be framed as a glorious civic duty worthy of gratitude – not a punishment for making money.
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A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
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It seems that most of us could benefit from a brush with a near-fatal disaster to help us recognise the important things that we are too defeated or embittered to recognise from day to day.
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The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
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The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven’t been introduced. Humans will only respond to art, to people who are skilled in making you care.
ALAIN DE BOTTON