The greatest difficulty of Travel is that one is forced to take oneself along.
ALAIN DE BOTTONOnce I began to consider everything as being of potential interest, objects released latent layers of value.
More Alain de Botton Quotes
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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When you look at the Moon, you think, ‘I’m really small. What are my problems?’ It sets things into perspective. We should all look at the Moon a bit more often.
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Unnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
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We envy only those whom we feel ourselves to be like; we envy only members of our reference group. There are few successes more unendurable than those of our close friends.
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The activities of drawing, eating and drinking, all involve assimilations by the self of desirable elements from the world, a transfer of goodness from without to within.
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Curiosity might be pictured as being made up of chains of small questions extending outwards, sometimes over huge distances, from a central hub composed of a few blunt, large questions.
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Being content is perhaps no less easy than playing the violin well: and requires no less practice.
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One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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Most good thinking has its origin in fear.
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
ALAIN DE BOTTON