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Once I began to consider everything as being of potential interest, objects released latent layers of value.

Alain de Botton

Unnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
ALAIN DE BOTTON

Easier Except Happy Learn Less Play Practice Require Unnatural Violin
Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
ALAIN DE BOTTON

Biscuit Carpet Childhood Day Light Most Photo Smell Store Texture
There’s a whole category of people who miss out by not allowing themselves to be weird enough.
ALAIN DE BOTTON

Allow Category Enough Help People Themselves Weird Whole
Forcing people to eat together is an effective way to promote tolerance.
ALAIN DE BOTTON

Eat Force People Promote Together Tolerance
Not being understood may be taken as a sign that there is much in one to understand.
ALAIN DE BOTTON

Mauch Sign Taken Understand Understood
Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
ALAIN DE BOTTON

Conscious Contribute Create Enthusiasm Guide Merely More Single
There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
ALAIN DE BOTTON

Choice Inevitable Long Loss Need Regret Return Time
How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
ALAIN DE BOTTON

Another Coming Connect Darker Mist Process Root Sketch Stem Tree
Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
ALAIN DE BOTTON

Capture Choice Every Realistic Feature Given Paint Picture Prominence Reality Represent
Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
ALAIN DE BOTTON

Conscious Employing Less Medium Pay Rather Substitute Supplement Used
to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
ALAIN DE BOTTON

Already Behaviour Design Force Mechanism Ourselves Patiently Unlearn
Serious journalists often imagine society is adrift because people don’t know certain things.
ALAIN DE BOTTON

Adrift Certain Imaginem Society Journalist Serius Thing
Curiosity might be pictured as being made up of chains of small questions extending outwards, sometimes over huge distances, from a central hub composed of a few blunt, large questions.
ALAIN DE BOTTON

Curiosity Distance Extend Huge Outward Picture Question Small Some Time
We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us.
ALAIN DE BOTTON

Attention Fortune Greater Look People Reason Respect Seek Straight
We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.
ALAIN DE BOTTON

Anyone Aware Capable Disease Instantly Intelligent Love More never Save
Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
ALAIN DE BOTTON

Home Merit Name Occupancy Permanent Speak

Once I began to consider everything as being of potential interest, objects released latent layers of value.

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Once I began to consider everything as being of potential interest, objects released latent layers of value.

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