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The challenge for a human now is to be more interesting to another than his or her smartphone.

Alain de Botton

William James once made an acute point about the relationship between happiness and expectation. He argued that satisfaction with ourselves does not require us to succeed in every endeavour.
ALAIN DE BOTTON

Acute Between Endeavour Expectation Happiness Made Point Relationship
Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
ALAIN DE BOTTON

Encounter Human Intoxicate Man Merely Pleasurable Postpone Seem Sublime Weakness
The mind may be reluctant to think properly when thinking is all it is supposed to do; the task can be as paralysing as having to tell a joke or mimic an accent on demand.
ALAIN DE BOTTON

Mimic Mind Paralyse Properly Recusant Suppose Think
People only get really interesting when they start to rattle the bars of their cages.
ALAIN DE BOTTON

Bar Cage Interest People Rattle Really Start
The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
ALAIN DE BOTTON

Dependent Derive Destination Journey Mindset More Pleasure
We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
ALAIN DE BOTTON

Carpet Commitment Freedom Impulsive Need Object Remind
Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
ALAIN DE BOTTON

Home Merit Name Occupancy Permanent Speak
Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
ALAIN DE BOTTON

Architect Manipulation Prefer Shy Space Themselves Word
It is perhaps sad books that best console us when we are sad.
ALAIN DE BOTTON

Book Console Perhaps Sad
Artistic accounts involve severe abbreviations of what reality will force upon us.
ALAIN DE BOTTON

Abbreviation Account Artistic Force Involve Reality Serve
To one’s enemies: “I hate myself more than you ever could.
ALAIN DE BOTTON

Enemy Ever Hate More Myself Own
What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
ALAIN DE BOTTON

Good Number Oppose People Reason Worry
Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
ALAIN DE BOTTON

Capture Choice Every Realistic Feature Given Paint Picture Prominence Reality Represent
If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
ALAIN DE BOTTON

Activity Dominate Dynamic Few Happiness Live Paradox Perhaps Quest Search
For paranoia about ‘what other people think’ : remember that only some hate, a very few love – and almost all just don’t care.
ALAIN DE BOTTON

Almost Care Few Hate Love Paranoia People Remember Think
It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
ALAIN DE BOTTON

Acquaintance Acquire Beautiful Dialogue Grief Pain Thing Turn More Value

The challenge for a human now is to be more interesting to another than his or her smartphone.

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The challenge for a human now is to be more interesting to another than his or her smartphone.

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