Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
ALAIN DE BOTTONPeople only get really interesting when they start to rattle the bars of their cages.
More Alain de Botton Quotes
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A notorious inability to express emotions makes human beings the only animals capable of suicide.
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The telephone becomes an instrument of torture in the demonic hands of a beloved who doesn’t call.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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There is real danger of a disconnect between what’s on your business card and who you are deep inside, and it’s not a disconnect that the world is ready to be patient with.
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Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
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It is not just nature that defies us. Human life is as overwhelming… If we spend time in it [the vast spaces of nature], they may help us to accept more graciously the great, unfathomable events that molest our lives and will inevitably return us to dust.
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It is perhaps sad books that best console us when we are sad.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
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Social media has lots of benefits, but compared to Christianity, it tends to group people by interests. Religion puts you with people who have nothing in common except that you’re human.
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Those who divorce aren’t necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.
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Curiosity might be pictured as being made up of chains of small questions extending outwards, sometimes over huge distances, from a central hub composed of a few blunt, large questions.
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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