With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDAI had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
More Agnes Varda Quotes
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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My grandson says I’m punk.
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA






