I had flops, I had success.
AGNES VARDAI never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
More Agnes Varda Quotes
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The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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This is all you need in life: a computer, a camera, and a cat.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I go back to many films that I really love.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
AGNES VARDA






