I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
AGNES VARDAI’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
AGNES VARDATo change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDAI tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
AGNES VARDAPeople like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDAThis is all you need in life: a computer, a camera, and a cat.
AGNES VARDAWhen I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDAThe film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDAI quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
AGNES VARDAI’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDAThe story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDAAn old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDAI didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDAI did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
AGNES VARDAI wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDAI don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDAWith Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA