When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
ADRIAN TOMINEThere’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
More Adrian Tomine Quotes
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I wanted to avoid doing what I thought people wanted me to do.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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I never go home and take out those business cards and go to those websites.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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The experience of reading a comic should not be the time it takes to turn each page.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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Look, there’s no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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