It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
ADRIAN TOMINEI get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
More Adrian Tomine Quotes
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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You start to feel very weighted down sometimes.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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I started publishing my comic while I was still living with my parents.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I never go home and take out those business cards and go to those websites.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
ADRIAN TOMINE