That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
ADRIAN TOMINEUnderground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
More Adrian Tomine Quotes
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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You start to feel very weighted down sometimes.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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I started publishing my comic while I was still living with my parents.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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The experience of reading a comic should not be the time it takes to turn each page.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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