But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
ADRIAN TOMINEI think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
More Adrian Tomine Quotes
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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The experience of reading a comic should not be the time it takes to turn each page.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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You start to feel very weighted down sometimes.
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