Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
ADRIAN TOMINEI think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
More Adrian Tomine Quotes
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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The experience of reading a comic should not be the time it takes to turn each page.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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I started publishing my comic while I was still living with my parents.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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I wanted to avoid doing what I thought people wanted me to do.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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