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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.

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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
ADRIAN TOMINE

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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
ADRIAN TOMINE

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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
ADRIAN TOMINE

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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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I started publishing my comic while I was still living with my parents.
ADRIAN TOMINE

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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
ADRIAN TOMINE

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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
ADRIAN TOMINE

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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
ADRIAN TOMINE

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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
ADRIAN TOMINE

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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I wanted to avoid doing what I thought people wanted me to do.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
ADRIAN TOMINE

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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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