But not the kind of comics that they were used to, and no, it’s not pornography, etc.
ADRIAN TOMINEI think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
More Adrian Tomine Quotes
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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I wanted to avoid doing what I thought people wanted me to do.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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You start to feel very weighted down sometimes.
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I started publishing my comic while I was still living with my parents.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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