I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
ADRIAN TOMINELook, there’s no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years.
More Adrian Tomine Quotes
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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The experience of reading a comic should not be the time it takes to turn each page.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I wanted to avoid doing what I thought people wanted me to do.
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I started publishing my comic while I was still living with my parents.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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I never go home and take out those business cards and go to those websites.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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You start to feel very weighted down sometimes.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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