And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
ADRIAN TOMINEThere were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
More Adrian Tomine Quotes
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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I never go home and take out those business cards and go to those websites.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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I started publishing my comic while I was still living with my parents.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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You start to feel very weighted down sometimes.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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