I don’t like it when it’s consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature.
ADAM RAPPIt’s strange, people have asked me what my schedule is and what is my process like, and I can’t even answer it.
More Adam Rapp Quotes
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I’ve lost lots of relationships because of my having to ignore everything.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies.
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I’ll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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You can always count on the New York Times to cut your legs off.
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I don’t like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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If I tried to write that it would just be false. Or I’d have someone enter with a machine gun.
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My work is always more emotional than I am.
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One of the tricks to writing great plays is to get people in a room together and not let them leave.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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Snow settles in the liver. The bowels grow thick with humidity.
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I’ve been living in Portland for five months and I’m not sure how I feel about it. I probably won’t really know for years because that’s how it works right?
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Somewhere so deep inside that the doctors can’t find it with all their machines and microcameras.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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And there’s nothing like the feeling of perfection that will inspire repeated behavior.
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And you can’t go anywhere in the sky unless you have a plane or some kind of rocket.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play
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I just love working with actors, and I love working with writers, working with designers.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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So I started to think like, “well if I’m going to fight against this, I should learn how to direct”.
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Criticism is really unevenly distributed in this town.
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I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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I write till the end at least a draft of a play or a novel; but sometimes,
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In Chekhov, when people leave, a carriage is taking them away forever.
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I think because my brother was an actor and I just saw how he struggled through, I guess I’m sensitive to it.
ADAM RAPP