Mary’s house smelled like lemon furniture polish and oatmeal cookies and logs in a fireplace.
ADAM RAPPI don’t know where the characters are going to go or what’s going to happen.
More Adam Rapp Quotes
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For some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table.
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When I write, that takes over and I can’t do anything else.
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I’ll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it’s a lie already at work.
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I show up on time, I am very rigorous about scheduling, and I am very focused.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.
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I feel that I’d rather know an actors’ work, or have an instinct about them and sit down and have coffee with them, or I’ll see them in something and I’ll see if I can get along with them in some way, shape, or form.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.
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Fifteen years ago I killed my sister.
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So I started to think like, “well if I’m going to fight against this, I should learn how to direct”.
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I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
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When I am directing, it is much, much, much, much, much different. I’m a much more practical person in the world,
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There’s only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky.
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The same way you can hear a song in your head even if there isn’t a radio playing; the same way you can hear those blackbirds flying when they’re not in the sky
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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Obviously the power of the Times is discouraging. It’s killing new plays, demolishing one after another.
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It’s strange, people have asked me what my schedule is and what is my process like, and I can’t even answer it.
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It just happens quicker and faster now.
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My life has been in shambles, like my personal relationships, my laundry, paying bills now I have someone who pays my bills and it’s always been a challenge because it overwhelms me.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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And now we have all this access to public transportation, automobiles and jets and the Internet
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I dont see a lot of movies that portray the East Village as well as I think they can.
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I’ve been living in Portland for five months and I’m not sure how I feel about it. I probably won’t really know for years because that’s how it works right?
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You can always count on the New York Times to cut your legs off.
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I began stealing a lot of ideas from other directors I had worked with.
ADAM RAPP