I don’t like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
ADAM RAPPI don’t like it when it’s consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature.
More Adam Rapp Quotes
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If I tried to write that it would just be false. Or I’d have someone enter with a machine gun.
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If it weren’t for the smell of death clinging to the walls, you might think it was your family’s turn to host the month neighborhood potluck supper.
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Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system.
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Sometimes when I’m directing, the stage manager will have a good idea and that’s okay with me.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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What I’ve learned in the last few years is that I am merely a storyteller.
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Snow settles in the liver. The bowels grow thick with humidity.
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When it’s just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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Criticism is really unevenly distributed in this town.
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Obviously the power of the Times is discouraging. It’s killing new plays, demolishing one after another.
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It’s been hard for me to not write, and that’s the only process I can speak to I guess, it’s so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life.
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A typical day for me is I’m writing when I’m not directing.
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I know that they want certain things and they’re in a certain room and they smell like this and they look like that.
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I don’t like it when it’s consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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The scent goes right to your stomach.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it’s a lie already at work.
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It’s strange, people have asked me what my schedule is and what is my process like, and I can’t even answer it.
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So I started to think like, “well if I’m going to fight against this, I should learn how to direct”.
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it.
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When I’m directing, I’m pretty much not writing, but when I’m not directing I am writing a lot.
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I’ve lost lots of relationships because of my having to ignore everything.
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I find that more and more I’m trying to entertain myself when I’m working, because I know the work’s going to go to a horrible place.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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Somewhere so deep inside that the doctors can’t find it with all their machines and microcameras.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.
ADAM RAPP