I just love working with actors, and I love working with writers, working with designers.
ADAM RAPPI’ve never really felt that I’ve had the right hair cut, or had the right clothes.
More Adam Rapp Quotes
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The scent goes right to your stomach.
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There’s something exciting about that free fall, but then my life gets really screwed up.
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You have to escape to survive, as you must survive to escape.
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I don’t like it when it’s consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.
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Mary’s house smelled like lemon furniture polish and oatmeal cookies and logs in a fireplace.
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When I write, that takes over and I can’t do anything else.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I’m pretty obsessive-compulsive and I’m very fast.
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But when I’m writing I am just a big, irresponsible mess and I’m just impossible to get in touch with, and I don’t spend time with friends.
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One of the tricks to writing great plays is to get people in a room together and not let them leave.
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We’re so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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I’ve never really felt that I’ve had the right hair cut, or had the right clothes.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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I show up on time, I am very rigorous about scheduling, and I am very focused.
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I find that more and more I’m trying to entertain myself when I’m working, because I know the work’s going to go to a horrible place.
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I think, for me, when I direct my own work it’s just an extension of the authorship.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system.
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It just happens quicker and faster now.
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I know that they want certain things and they’re in a certain room and they smell like this and they look like that.
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I’ve written some criticism, and I really enjoy it because I think it’s important for people to know that theatre is vital.
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You can always count on the New York Times to cut your legs off.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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When I got inside, I just sort of stood there. There’s nothing stranger than the smell of someone else’s house
ADAM RAPP