What I’ve learned in the last few years is that I am merely a storyteller.
ADAM RAPPI’ve written some criticism, and I really enjoy it because I think it’s important for people to know that theatre is vital.
More Adam Rapp Quotes
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There’s something exciting about that free fall, but then my life gets really screwed up.
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I think, for me, when I direct my own work it’s just an extension of the authorship.
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Sometimes when I’m directing, the stage manager will have a good idea and that’s okay with me.
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Whenever I’ve been in rehearsals, it’s really fun, there’s always laughing.
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I know that something inevitable will happen.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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Somewhere so deep inside that the doctors can’t find it with all their machines and microcameras.
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The heart fills with warm rain that turns to mist and evaporates through a colder artery.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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But when I’m writing I am just a big, irresponsible mess and I’m just impossible to get in touch with, and I don’t spend time with friends.
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You don’t really develop feelings about a place till you’ve left it. It’s like a girl or a dog.
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When I am directing, it is much, much, much, much, much different. I’m a much more practical person in the world,
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I tend to not write for a long period of time until I can’t not write, and then I write first drafts in gallops.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it’s a lie already at work.
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We’re so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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I’ll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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And now we have all this access to public transportation, automobiles and jets and the Internet
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For some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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In Chekhov, when people leave, a carriage is taking them away forever.
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Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system.
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You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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I know that they want certain things and they’re in a certain room and they smell like this and they look like that.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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When I’m directing, I’m pretty much not writing, but when I’m not directing I am writing a lot.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
ADAM RAPP