I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
ADAM RAPPI’m pretty obsessive-compulsive and I’m very fast.
More Adam Rapp Quotes
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The rooms I tend to be in are pretty democratic and the best idea wins.
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For some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table.
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One of the tricks to writing great plays is to get people in a room together and not let them leave.
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I find that more and more I’m trying to entertain myself when I’m working, because I know the work’s going to go to a horrible place.
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I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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I don’t know where the characters are going to go or what’s going to happen.
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I tend to not write for a long period of time until I can’t not write, and then I write first drafts in gallops.
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When I got inside, I just sort of stood there. There’s nothing stranger than the smell of someone else’s house
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The stakes are so high just for someone to make a simple exit.
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You can always count on the New York Times to cut your legs off.
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it.
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I began stealing a lot of ideas from other directors I had worked with.
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The heart fills with warm rain that turns to mist and evaporates through a colder artery.
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I’ll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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If I tried to write that it would just be false. Or I’d have someone enter with a machine gun.
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I think, for me, when I direct my own work it’s just an extension of the authorship.
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Whenever I’ve been in rehearsals, it’s really fun, there’s always laughing.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
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A typical day for me is I’m writing when I’m not directing.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies.
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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In Chekhov, when people leave, a carriage is taking them away forever.
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You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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The scent goes right to your stomach.
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I’ve lost lots of relationships because of my having to ignore everything.
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I’ve never really felt that I’ve had the right hair cut, or had the right clothes.
ADAM RAPP