“I think, for me, when I direct my own work it’s just an extension of the authorship.”

I think because my brother was an actor and I just saw how he struggled through, I guess I’m sensitive to it.

I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play

I imagine a soul is a little perfect crystal egg floating in your chest.

One of the tricks to writing great plays is to get people in a room together and not let them leave.

If it weren’t for the smell of death clinging to the walls, you might think it was your family’s turn to host the month neighborhood potluck supper.

I’ve never really felt that I’ve had the right hair cut, or had the right clothes.

I write till the end at least a draft of a play or a novel; but sometimes,

I’m pretty obsessive-compulsive and I’m very fast.

I began stealing a lot of ideas from other directors I had worked with.

I don’t know where the characters are going to go or what’s going to happen.

I find that more and more I’m trying to entertain myself when I’m working, because I know the work’s going to go to a horrible place.

It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.

I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.

The stakes are so high just for someone to make a simple exit.

And you can’t go anywhere in the sky unless you have a plane or some kind of rocket.

I’ve written some criticism, and I really enjoy it because I think it’s important for people to know that theatre is vital.

Manner is all in all, whate’er is writ,The substitute for genius, sense, and wit.