I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
ADAM RAPPI think, for me, when I direct my own work it’s just an extension of the authorship.
More Adam Rapp Quotes
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You can’t run forever.
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You can always count on the New York Times to cut your legs off.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.
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One of the tricks to writing great plays is to get people in a room together and not let them leave.
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The same way you can hear a song in your head even if there isn’t a radio playing; the same way you can hear those blackbirds flying when they’re not in the sky
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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The scent goes right to your stomach.
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I’ve been living in Portland for five months and I’m not sure how I feel about it. I probably won’t really know for years because that’s how it works right?
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I write till the end at least a draft of a play or a novel; but sometimes,
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it.
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For some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table.
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I began stealing a lot of ideas from other directors I had worked with.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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The stakes are so high just for someone to make a simple exit.
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I tend to not write for a long period of time until I can’t not write, and then I write first drafts in gallops.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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I just love working with actors, and I love working with writers, working with designers.
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When I got inside, I just sort of stood there. There’s nothing stranger than the smell of someone else’s house
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I find that more and more I’m trying to entertain myself when I’m working, because I know the work’s going to go to a horrible place.
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Fifteen years ago I killed my sister.
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And there’s nothing like the feeling of perfection that will inspire repeated behavior.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.
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I imagine a soul is a little perfect crystal egg floating in your chest.
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My work is always more emotional than I am.
ADAM RAPP