Whenever I’ve been in rehearsals, it’s really fun, there’s always laughing.
ADAM RAPPBut when I’m writing I am just a big, irresponsible mess and I’m just impossible to get in touch with, and I don’t spend time with friends.
More Adam Rapp Quotes
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The heart fills with warm rain that turns to mist and evaporates through a colder artery.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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I think I’m a little more daunted by when the machinery of the play is really huge.
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I don’t like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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But when I’m writing I am just a big, irresponsible mess and I’m just impossible to get in touch with, and I don’t spend time with friends.
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I write till the end at least a draft of a play or a novel; but sometimes,
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.
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I feel that I’d rather know an actors’ work, or have an instinct about them and sit down and have coffee with them, or I’ll see them in something and I’ll see if I can get along with them in some way, shape, or form.
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Fifteen years ago I killed my sister.
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It just happens quicker and faster now.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
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When it’s just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system.
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More often than not, an entropy creeps in that strangles me, and then the inevitable happens.
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So I started to think like, “well if I’m going to fight against this, I should learn how to direct”.
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When I’m directing, I’m pretty much not writing, but when I’m not directing I am writing a lot.
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You can always count on the New York Times to cut your legs off.
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it.
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The stakes are so high just for someone to make a simple exit.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.
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Sometimes when I’m directing, the stage manager will have a good idea and that’s okay with me.
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There’s something exciting about that free fall, but then my life gets really screwed up.
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I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
ADAM RAPP