More often than not, an entropy creeps in that strangles me, and then the inevitable happens.
ADAM RAPPOne of the tricks to writing great plays is to get people in a room together and not let them leave.
More Adam Rapp Quotes
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A typical day for me is I’m writing when I’m not directing.
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Mary’s house smelled like lemon furniture polish and oatmeal cookies and logs in a fireplace.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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It’s strange, people have asked me what my schedule is and what is my process like, and I can’t even answer it.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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One of the tricks to writing great plays is to get people in a room together and not let them leave.
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I don’t know where the characters are going to go or what’s going to happen.
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It’s been hard for me to not write, and that’s the only process I can speak to I guess, it’s so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life.
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In Chekhov, when people leave, a carriage is taking them away forever.
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You have to escape to survive, as you must survive to escape.
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When I’m directing, I’m pretty much not writing, but when I’m not directing I am writing a lot.
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The heart fills with warm rain that turns to mist and evaporates through a colder artery.
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I tend to not write for a long period of time until I can’t not write, and then I write first drafts in gallops.
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I know that something inevitable will happen.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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If it weren’t for the smell of death clinging to the walls, you might think it was your family’s turn to host the month neighborhood potluck supper.
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I write till the end at least a draft of a play or a novel; but sometimes,
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You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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I’ve written some criticism, and I really enjoy it because I think it’s important for people to know that theatre is vital.
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When I write, that takes over and I can’t do anything else.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play
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I know that they want certain things and they’re in a certain room and they smell like this and they look like that.
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I’ll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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There’s something exciting about that free fall, but then my life gets really screwed up.
ADAM RAPP