On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
MITSKIThen you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
More Mitski Quotes
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I have this thing about being acknowledged and accepted by institutions.
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All the time. I feel like I’m not taken seriously.
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I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I’m punk, but I love gold.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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My personality’s very obsessive-compulsive. I tend to fixate a lot.
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I don’t want to be elitist.
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I think my whole identity is formed around not knowing where I’m from. It might even be that I find comfort in that confusion.
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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Tour isn’t good for writing, but it’s good for inspiration.
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I’ve stopped wanting a home, I think, because I’ve been on tour all my life, basically.
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
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I don’t think ‘bleak’ is a bad thing.
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