There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
ALAIN DE BOTTONWhen work is not going well, it’s useful to remember that our identities stretch beyond what is on the business card, that we were people long before we became workers – and will continue to be human once we have put our tools down forever.
More Alain de Botton Quotes
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The challenge for a human now is to be more interesting to another than his or her smartphone.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
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Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.
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One of the best protections against disappointment is to have a lot going on.
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Happiness is impossible for longer than 15 minutes. We are the descendants of creatures who, above all else, worried.
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We are not always humiliated by failing; we are humiliated only if we first invest our pride and sense of worth in a given achievement and then do not reach it.
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Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
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The largest part of what we call ‘personality’ is determined by how we’ve opted to defend ourselves against anxiety and sadness”.
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The blunt large questions become connected to smaller, apparently esoteric ones.
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Most of us still caged within careers chosen for us by our not entirely worldly 18-22 year old selves.
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Socrates, on being insulted in the marketplace, asked by a passerby, “Don’t you worry about being called names?” retorted, “Why? Do you think I should resent it if an ass had kicked me?
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The longing for destiny is nowhere stronger than in our romantic life.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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As we write, so we build: to keep a record of what matters to us.
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