There is real danger of a disconnect between what’s on your business card and who you are deep inside, and it’s not a disconnect that the world is ready to be patient with.
ALAIN DE BOTTONEvery adult life could be said to be defined by two great love stories: the story of our quest for sexual love and the story of our quest for love from the world.
More Alain de Botton Quotes
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Kant and Hegel are interesting thinkers. But I am happy to insist that they are also terrible writers.
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People only get really interesting when they start to rattle the bars of their cages.
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A virtuous, ordinary life, striving for wisdom but never far from folly, is achievement enough.
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You need a long hard day’s work to reveal the logic of the craving for very bad tv and alcohol.
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You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.
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We will cease to be angry once we cease to be so hopeful.
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It’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
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The good parent: someone who doesn’t mind, for a time, being hated by their children.
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It’s hard loving those who don’t much like themselves: “If you’re so great, why would you think I’m so great.
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When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.
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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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Bitterness: anger that forgot where it came from.
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