Artistic accounts involve severe abbreviations of what reality will force upon us.
ALAIN DE BOTTONWhat I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
More Alain de Botton Quotes
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We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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Most victories are, in the best way, acts of revenge.
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Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
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Work is most fulfilling when you’re at the comfortable, exciting edge of not quite knowing what you are doing.
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
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Good books put a finger on emotions that are deeply our own – but that we could never have described on our own.
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Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
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I think people want to get married to end their emotional uncertainty. In a way, they want to end powerful feelings, or certainly the negative ones.
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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
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As we write, so we build: to keep a record of what matters to us.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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The activities of drawing, eating and drinking, all involve assimilations by the self of desirable elements from the world, a transfer of goodness from without to within.
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Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
ALAIN DE BOTTON