Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
ADRIAN TOMINEI’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
More Adrian Tomine Quotes
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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I wanted to avoid doing what I thought people wanted me to do.
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I never go home and take out those business cards and go to those websites.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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The experience of reading a comic should not be the time it takes to turn each page.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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Look, there’s no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years.
ADRIAN TOMINE