The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEYI suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
More Seamus Heaney Quotes
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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I believe we are put here to improve civilisation.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I think childhood is, generally speaking, a preparation for disappointment.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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Poems that come swiftly are usually the ones that you keep.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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