You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
SEAMUS HEANEYThe amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
More Seamus Heaney Quotes
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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Poetry is more a threshold than a path.
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I came from a farming background, and my career was teaching.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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I’ve been in the habit of helping people.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
SEAMUS HEANEY