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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.

Seamus Heaney

The end of art is peace.
SEAMUS HEANEY

Art End One Liner Peace
But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
SEAMUS HEANEY

Brutal Change Citizenship Destruction Perception Possible Pursue Recognition
I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
SEAMUS HEANEY

Bright Interesting Life Myself Reflection Thinking Water
Anyone born and bred in Northern Ireland can’t be too optimistic.
SEAMUS HEANEY

Born Optimistic
The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
SEAMUS HEANEY

Empowerment Expectation Forget Gift Writing Yourself
The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEY

Amount Culture Growth Help Material Myself System Thinking
I’m a firm believer in learning by heart.
SEAMUS HEANEY

Believe Heart Learning
I came from a farming background, and my career was teaching.
SEAMUS HEANEY

Career Farm Teaching
Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
SEAMUS HEANEY

Caste Loyalty Operation Religion System
I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
SEAMUS HEANEY

Goddess Myself Territory Thinking
Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
SEAMUS HEANEY

Myself Old Recognition Taunt Young
It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
SEAMUS HEANEY

Expression Solid Stress True Work Writing
The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
SEAMUS HEANEY

Art Eternity Forever Kind Quality Small Time Truth
Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
SEAMUS HEANEY

Fundamental Memories Myself Poem Start
Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
SEAMUS HEANEY

Eyes Poem Reading Time Voice
Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
SEAMUS HEANEY

Big Listening Myself Speaker

The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.

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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.

Related Topics

Popular Authors

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