Anyone born and bred in Northern Ireland can’t be too optimistic.
SEAMUS HEANEYAnyone born and bred in Northern Ireland can’t be too optimistic.
SEAMUS HEANEYOne of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
SEAMUS HEANEYA person from Northern Ireland is naturally cautious.
SEAMUS HEANEYI suppose you inevitably fall into habits of expression.
SEAMUS HEANEYMy father and mother had no sense of entitlement for their children.
SEAMUS HEANEYEvery time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
SEAMUS HEANEYMy experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
SEAMUS HEANEYTom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
SEAMUS HEANEYPoetry is always slightly mysterious, and you wonder what is your relationship to it.
SEAMUS HEANEYI feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
SEAMUS HEANEYPoetry is what we do to break bread with the dead.
SEAMUS HEANEYIn Northern Ireland, helicopters are not usually used to promote poetry.
SEAMUS HEANEYLoyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
SEAMUS HEANEYYou yourself don’t have to be shaken by mortal danger in order to feel your mortality.
SEAMUS HEANEYIn the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
SEAMUS HEANEYYou can have Irish identity in the north and also have your Irish passport.
SEAMUS HEANEY