My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
SEAMUS HEANEYTom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
More Seamus Heaney Quotes
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My father and mother had no sense of entitlement for their children.
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I believe we are put here to improve civilisation.
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You can have Irish identity in the north and also have your Irish passport.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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I think childhood is, generally speaking, a preparation for disappointment.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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Poetry is more a threshold than a path.
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The faking of feelings is a sin against the imagination.
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The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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It’s difficult to learn poems off by heart that don’t rhyme.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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