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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.

Seamus Heaney

The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
SEAMUS HEANEY

Complete Crisis Intimate Isolation Poetry
Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
SEAMUS HEANEY

Eyes Poem Reading Time Voice
The faking of feelings is a sin against the imagination.
SEAMUS HEANEY

Deep Fake Feeling Imagination Sin
Poems that come swiftly are usually the ones that you keep.
SEAMUS HEANEY

Oneself Poem Swift
The end of art is peace.
SEAMUS HEANEY

Art End One Liner Peace
The poet is on the side of undeceiving the world.
SEAMUS HEANEY

Poet World
My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
SEAMUS HEANEY

Dimension God Language Personal Promise Reality Yearning
The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
SEAMUS HEANEY

Art Eternity Forever Kind Quality Small Time Truth
The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEY

Amount Culture Growth Help Material Myself System Thinking
The murder of Sean Brown hurt my soul.
SEAMUS HEANEY

Hurt Murder Myself Soul
But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
SEAMUS HEANEY

Brutal Change Citizenship Destruction Perception Possible Pursue Recognition
One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
SEAMUS HEANEY

Best Description Himself Myself Writing
Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
SEAMUS HEANEY

Award Judgement Panel Poetry Solidarity Yourself
A person from Northern Ireland is naturally cautious.
SEAMUS HEANEY

Caution Natural Person
I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
SEAMUS HEANEY

Home Myself Reading Time
Poetry is always slightly mysterious, and you wonder what is your relationship to it.
SEAMUS HEANEY

Mystery Poetry Relationship Slight

But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.

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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.

Related Topics

Popular Authors

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