The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
SEAMUS HEANEYIn a way, Anglo-Saxon poetry cannot be translated.
More Seamus Heaney Quotes
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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Your temperament is what you write with, but it’s also how you deal with the world.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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In poetry, everything can be faked but the intensity of utterance.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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I credit poetry for making this space-walk possible.
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I believe we are put here to improve civilisation.
SEAMUS HEANEY