The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEYI don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
More Seamus Heaney Quotes
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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Sonnet is about movement in a form.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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In poetry, everything can be faked but the intensity of utterance.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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I think childhood is, generally speaking, a preparation for disappointment.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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I believe we are put here to improve civilisation.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
SEAMUS HEANEY