I always believed that whatever had to be written would somehow get itself written.
SEAMUS HEANEYI don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
More Seamus Heaney Quotes
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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I came from a farming background, and my career was teaching.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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The end of art is peace.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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In poetry, everything can be faked but the intensity of utterance.
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The poet is on the side of undeceiving the world.
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