There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHESThe birth of the reader must be at the cost of the death of the Author.
More Roland Barthes Quotes
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A photograph is always invisible, it is not it that we see.
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
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Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
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In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
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To make someone wait: the constant prerogative of all power.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Every photograph is a certificate of presence.
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The book creates meaning, the meaning creates life.
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I make the other’s absence responsible for my worldliness.
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Why is it better to last than to burn?
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
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Each of us has his own rhythm of suffering.
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Frontiers are physical as well as symbolic constructions.
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The new is not a fashion, it is a value.
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The author enters into his own death, writing begins.
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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Great portrait photographers are great mythologists.
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What love lays bare in me is energy.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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Those who fail to reread are obliged to read the same story everywhere.
ROLAND BARTHES