Myth is neither a lie nor a confession: it is an inflexion.
ROLAND BARTHESThere is only one way left to escape the alienation of present day society: to retreat ahead of it.
More Roland Barthes Quotes
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The author enters into his own death, writing begins.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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One must turn the tongue seven times in the mouth before speaking.
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Each of us has his own rhythm of suffering.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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I make the other’s absence responsible for my worldliness.
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Those who fail to reread are obliged to read the same story everywhere.
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We know that the war against intelligence is always waged in the name of common sense.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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Every exploration is an appropriation.
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Where you are tender, you speak your plural.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
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The lover’s fatal identity is precisely this: I am the one who waits.
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The book creates meaning, the meaning creates life.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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Great portrait photographers are great mythologists.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
ROLAND BARTHES