I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
ROLAND BARTHESTo eat steak rare represents both a nature and a morality.
More Roland Barthes Quotes
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Who speaks is not who writes, and who writes is not who is.
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To make someone wait: the constant prerogative of all power.
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Every exploration is an appropriation.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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It must always be considered as though spoken by a character in a novel
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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Touch is the most demystifying of all senses, different from sight which is the most magical.
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Painting can feign reality without having seen it.
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Frontiers are physical as well as symbolic constructions.
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I make the other’s absence responsible for my worldliness.
ROLAND BARTHES -
Where you are tender, you speak your plural.
ROLAND BARTHES -
Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
ROLAND BARTHES -
Why is it better to last than to burn?
ROLAND BARTHES -
We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
ROLAND BARTHES -
It is no longer the sexual which is indecent, it is the sentimental.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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Great portrait photographers are great mythologists.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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What love lays bare in me is energy.
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A photograph is always invisible, it is not it that we see.
ROLAND BARTHES