I make the other’s absence responsible for my worldliness.
ROLAND BARTHESThe politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
More Roland Barthes Quotes
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
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Literature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
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Frontiers are physical as well as symbolic constructions.
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A picture is never anything but its own plural description.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
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Why is it better to last than to burn?
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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The best principals are not heroes; they are hero makers.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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It is no longer the sexual which is indecent, it is the sentimental.
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Painting can feign reality without having seen it.
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The book creates meaning, the meaning creates life.
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Every exploration is an appropriation.
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Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
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How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
ROLAND BARTHES