All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
ROLAND BARTHESAll those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
More Roland Barthes Quotes
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
ROLAND BARTHES -
Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
ROLAND BARTHES -
Great portrait photographers are great mythologists.
ROLAND BARTHES -
Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHES -
To eat steak rare represents both a nature and a morality.
ROLAND BARTHES -
Why is it better to last than to burn?
ROLAND BARTHES -
Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
ROLAND BARTHES -
A picture is never anything but its own plural description.
ROLAND BARTHES -
There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHES -
This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
ROLAND BARTHES -
Literature is the question minus the answer.
ROLAND BARTHES -
I make the other’s absence responsible for my worldliness.
ROLAND BARTHES -
A photograph is always invisible, it is not it that we see.
ROLAND BARTHES -
In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHES -
What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.
ROLAND BARTHES -
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
ROLAND BARTHES -
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
ROLAND BARTHES -
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
ROLAND BARTHES -
The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
ROLAND BARTHES -
As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
ROLAND BARTHES -
Touch is the most demystifying of all senses, different from sight which is the most magical.
ROLAND BARTHES -
We know that the war against intelligence is always waged in the name of common sense.
ROLAND BARTHES -
I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
ROLAND BARTHES -
I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
ROLAND BARTHES -
Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
ROLAND BARTHES -
Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHES