The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
ROLAND BARTHESWhere you are tender, you speak your plural.
More Roland Barthes Quotes
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If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Language is never innocent.
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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A light without shadow generates an emotion without reserve.
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We know that the war against intelligence is always waged in the name of common sense.
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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Every photograph is a certificate of presence.
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Painting can feign reality without having seen it.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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The new is not a fashion, it is a value.
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Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
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Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
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Who speaks is not who writes, and who writes is not who is.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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He who reads a story only once is condemned to read the same story his whole life.
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
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Each of us has his own rhythm of suffering.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
ROLAND BARTHES