The new is not a fashion, it is a value.
ROLAND BARTHESI call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
More Roland Barthes Quotes
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
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It is no longer the sexual which is indecent, it is the sentimental.
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The book creates meaning, the meaning creates life.
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Each of us has his own rhythm of suffering.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
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Great portrait photographers are great mythologists.
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Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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Every photograph is a certificate of presence.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
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The photographic image is a message without a code.
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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Language is never innocent.
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Frontiers are physical as well as symbolic constructions.
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Where you are tender, you speak your plural.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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To make someone wait: the constant prerogative of all power.
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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He who reads a story only once is condemned to read the same story his whole life.
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Literature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
ROLAND BARTHES