We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
ROLAND BARTHESLiterature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
More Roland Barthes Quotes
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Physically, the Ventoux is dreadful. Bald, it’s the spirit of Dry: Its climate (it is much more an essence of climate than a geographic place) makes it a damned terrain, a testing place for heroes, something like a higher hell.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Those who fail to reread are obliged to read the same story everywhere.
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Where you are tender, you speak your plural.
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Every photograph is a certificate of presence.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
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Great portrait photographers are great mythologists.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
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Each of us has his own rhythm of suffering.
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The birth of the reader must be at the cost of the death of the Author.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
ROLAND BARTHES -
As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
ROLAND BARTHES