“The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.”

Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.

Literature is the question minus the answer.

Touch is the most demystifying of all senses, different from sight which is the most magical.

Why is it better to last than to burn?

Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.

I am interested in language because it wounds or seduces me.

The lover’s fatal identity is precisely this: I am the one who waits.

The book creates meaning, the meaning creates life.

A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic time; and the photograph is a certain but fugitive testimony.

The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!

I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.

To eat steak rare represents both a nature and a morality.

There is only one way left to escape the alienation of present day society: to retreat ahead of it.

If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.

Myth is neither a lie nor a confession: it is an inflexion.

The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.

I know a lot of the Annapolis breed.

The American high school graduate is two years behind his English, French or German counterpart; in Alabama, God knows how far behind.

While campaigning, I got to know many high-school teachers, and let me say that the good ones are the unsung heroes of our society, and the bad ones are the gravediggers.

I learned that if I had known how much of this Nazi memorabilia there was to collect, I never would have started in the first place. It’s crowding me out of my house.

I think the fact that I’m so well known to be gay makes it very difficult to have a convincing relationship with a woman on screen. It wouldn’t be at all difficult for me to kiss a woman – I’ll kiss a frog if you like.

Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.

I’ve been known to preach.

I’ve known Ben Stiller for a minute. One of my first movies was ‘Along Came Polly.’