Pop artists work really hard, and they might not work for the same things that indie artists do, but they’re still musicians, and they’re still making art.
MITSKIWhen you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
More Mitski Quotes
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When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
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I hate that my opinions are gonna be on record… that my opinions of other artists are going to be on record.
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When I record, it’s this very precious and insular thing.
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I’ve stopped wanting a home, I think, because I’ve been on tour all my life, basically.
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Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
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I always have strong urges to sabotage myself.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
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I don’t think I have the kind of creativity to write fiction.
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I tend to not want to do that anymore. It’s not even that I don’t like it anymore: it’s that I keep trying to find ways for people to dislike me.
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People started calling me that, and I started being treated in a specific way.
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I lived abroad most of my life in insular international communities.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
MITSKI